Over the course of a single night, rape, murder, robbery and everything else is permitted across the nation as a way to release anger but also a way to cull from an overpopulated nation and lower crime.

The last chronological film in the series — 2016’s “The Purge: Election Year” — seemed to end with an outlawing of the purge, but that clearly didn’t last. The New Founding Fathers are back in charge as “The Forever Purge” opens and their annual horror shows have been reinstalled. There’s also a wall established along the southern border.

“It’s starting, y’all,” one main character in a Texas town announces as the purge countdown begins. She is protected by wealth in her ranching compound but her immigrant employees must huddle for safety in a makeshift shelter.

This time, the annual purge time passes without anyone we care about ending up dead, but then the event doesn’t end. The film cracks open at this point, adding class resentment to the mix. Groups of poor disenfranchised whites across the country begin targeting their white bosses and vowing that the purge won’t stop. “Ever After!” is their war cry.

That makes strange allies of the Tucker ranching family and a pair of newly arrived immigrants from Mexico: Adela (Ana de la Reguera) and her husband Juan (Tenoch Huerta).

Up until then, the Tucker’s son, Dylan, (Josh Lucas) was flirting with outright white supremacy, not wanting Spanish to be heard in his house and not believing that cowboys could be anything but white Americans. Now, he and his family are being kept alive by the very people he disdained.

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