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Morante de la Puebla curdles a task to remember and inhibits himself with an uncertain hat; Ponce and Aguado, below two important bulls of Juan Pedro, who fought a good bullfight

ANTONIO HEREDIA

The montera of Morante de la Puebla it seemed to be overturning like a cauldron on the fire of its vernicas. And they were enlivened by the air of the old, that old inspiration, the sepia of old photographs. The montera had looked at herself in a Guerrita mirror, and Morante was looking at Rafael’s. The chin sunk in the packaging, the chest swollen with bullfighters, the comps in the high hand from outside, the heart in the inside. From a genuflex cast to the mean vernicas were falling slowly from leaf

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